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The Art of Prudence (Baltasar Gracián's Maxims)

Avoid Notoriety in all Things

Even an excellence becomes a defect once it turns loud. Singularity gets you noticed and then left severely alone.

Reputation

Even excellences become defects if they become notorious. Notoriety arises from singularity, which is always blamed: he that is singular is left severely alone... Even in matters of the intellect want of moderation may degenerate into loquacity.

Baltasar Gracián, 1647 (tr. Joseph Jacobs, 1892)

There is a line where being known for something good curdles into being notorious for it, and past that line even a virtue starts to cost you. Notoriety grows out of singularity, standing out too far and too loudly in any direction, and singularity is reflexively disliked and isolating; the person who is too conspicuous, even for an excellence, ends up left alone. Beauty flaunted becomes coxcombry, intellect unmoderated becomes loquacity, and any good quality pushed into a spectacle offends by the very attention it demands. The counsel is moderation in how you carry even your strengths: be excellent without making excellence a performance, be known without being notorious. The distinction is between a reputation that draws people and a conspicuousness that pushes them away.

Practice

  • Carry even your strengths with moderation; an excellence turned loud and conspicuous curdles into a defect (maxim 245 warns against courting notice too).
  • Avoid singularity for its own sake; standing out too far in any direction gets you noticed and then left alone.
  • Watch the line between reputation and notoriety; the first draws people, the second, built on spectacle, pushes them away.

Use this when

  • Use this when tempted to make a display of a genuine strength; the flaunted virtue offends by the attention it demands.
  • Use it to check your own conspicuousness; even intellect, unmoderated, degenerates into the loquacity people avoid.

Ignore this when

  • Don't confuse this with hiding your excellence entirely; the counsel is against notoriety, not against being known (maxim 277 still says display).
  • Don't mute genuine distinctiveness into blandness; the target is the loud spectacle, not real quality (maxim 296 still prizes the great trait).

A picture of it

Genuinely brilliant, an academic makes his brilliance a spectacle: correcting everyone, performing his intellect in every room, unable to let a point pass unimproved, until the very excellence that should have drawn people begins to isolate him. His singularity is noticed and then avoided; colleagues route around the man who cannot be moderate about his own cleverness. The gift was real, but turned loud it became a defect, and the loquacity earned the contempt the substance never would have. When he learns to hold the same intellect with moderation, being excellent without performing it, the isolation lifts.

Even a virtue, turned loud, becomes a defect. Be excellent without spectacle, known without notoriety, or you will be left severely alone.

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